Detalhes bibliográficos
Ano de defesa: |
2021 |
Autor(a) principal: |
Moreira Junior, Cristian de Paula Sales
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Orientador(a): |
Gomes, Ivan Lima
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Banca de defesa: |
Gomes, Ivan Lima,
Campos, Yussef Daibert Salomão de,
Liebel, Vinícius Aurélio |
Tipo de documento: |
Dissertação
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Tipo de acesso: |
Acesso aberto |
Idioma: |
por |
Instituição de defesa: |
Universidade Federal de Goiás
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Programa de Pós-Graduação: |
Programa de Pós-graduação em História (FH)
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Departamento: |
Faculdade de História - FH (RG)
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País: |
Brasil
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Palavras-chave em Português: |
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Palavras-chave em Inglês: |
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Área do conhecimento CNPq: |
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Link de acesso: |
http://repositorio.bc.ufg.br/tede/handle/tede/11572
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Resumo: |
The aim of this study is a reading of Fernando Collor's representations and the processes involving his government, from 1990 to 1992, in and from the cartoons of Folha de S. Paulo produced by cartoonists known as Glauco and Spacca. We tried to identify, in this clipping, a way in which the loads are and act as documents of the Brazilian historical process, as well as generators of the political reality itself. For this, it was necessary to reflect on the relationship of rates with the context of the period, with the press and with History itself. Here, the prerogative is assumed that the narrative of the cartoons is, in fact, a symbolic production of reality, and not just an attempt to reproduce it. A key resource for the cartoon's message lies in humour. In Freud's theory of humor, laughter operates as a liberating tool for repressed emotions and feelings. A kind of psychological escape valve that promotes pleasure precisely by breaking with certain emotional stress tensions caused by social situations, affective relationships, among others. |