A MÚSICA EVANGÉLICA DO MOVIMENTO PENTECOSTAL EM GOIÂNIA COMO FENÔMENO CONTEMPORÂNEO

Detalhes bibliográficos
Ano de defesa: 2010
Autor(a) principal: ALMEIDA, Elza Oliveira de Souza lattes
Orientador(a): UNES, Wolney Alfredo Arruda lattes
Banca de defesa: Não Informado pela instituição
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Universidade Federal de Goiás
Programa de Pós-Graduação: Mestrado em Música
Departamento: Linguística, Letras e Artes
País: BR
Palavras-chave em Português:
Palavras-chave em Inglês:
Área do conhecimento CNPq:
Link de acesso: http://repositorio.bc.ufg.br/tede/handle/tde/2725
Resumo: This research aims to promote reflection on the distortion of the gospel music of the Pentecostal movement in Goiania. For this purpose, will discuss the interaction between music and Radio Paz FM 89.5, considering the impact of globalization and, more specifically, the cultural industry in the expansion of the musical style known today as gospel. This study also examines the integration and the similarity of the Gospel song with the music called pop, that is developed out of religious grounds, pointing out similarities in the instrumentation, arrangements, musical, performances, radio broadcasting, television and public reception. The systematization of the research occurs in three chapters, each one makes a specific approach, based on the methods of critical by Imbert: historic and sociologist as well as the considerations of Guy Debord, in relation to the show. The observation with regard to Radio Paz FM 89.5 lasted twenty months. The theoretical framework was constructed from the results of responses obtained in interviews. The first chapter is focused on the historical field, addressing the development of religious music in the Old and New Testament Bible, the establishment of the Church in the Middle Ages and the religious reforms according to Grout Palisca, Collins Price and Stamps. The second chapter explores the Gospel, from its origins to the present time based on the reflections of Friendland, Baggio, Muggiati and Calado. The first part of the third chapter discusses the musicality of religion in Brazil and in Goiás , more specifically the history of Pentecostalism and the musical development of this segment supported by the authors of the social sphere: Mariano, Freston and Weber. Achieving the goals of this research, the second part presents Radio Paz FM 89.5, relating to the current context, called postmodern, based on various researchers - Featherstone, Lyotard, Harvey and others - within the globalization process, including the issue of globalization, the spectacle and consumption. Conclude that Gospel music is the great current phenomenon. You can ensure that this research represents only the beginning of the study of this phenomenon that tends to arouse more and more the interest of religious communities, evangelical or not.