Fotojornalismo em revista: o fotojornalismo em O Cruzeiro e Manchete durante os governos Juscelino Kubitschek e João Goulart

• Ano de defesa: 2006
• Autor(a) principal: Silva, Silvana Louzada da
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Programa de Pós-graduação em Comunicação; Comunicação
• Palavras-chave em Português: Fotojornalismo - Brasil; Jornalismo - Brasil; CNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO
• Link de acesso: https://app.uff.br/riuff/handle/1/17430

The photojournalism is responsible for one of the major changes in the press since its emergence. As a result of the introduction and incorporation of the moving image into people s daily life, thanks to the movies, for the first time image and news became blended, forming a new language, the photojournalism. In this experience will be settled all future relations between ima ge and news, especially in the television. Since its emergence, in Germany during the Weimar Republic, this new language has promoted a unique transformation in means of communication and finds its privileged space in illustrated magazines. In Brazil, the photojournalism arrived through the pages of the illustrated magazine O Cruzeiro that remained the absolute leader in the market until the end of the 50 s when Manchete starts to gain space, without ever reaching the success its competitor had in the past. This work compares the editorial line and the photojournalism published in these two illustrated magazines during the government of Juscelino Kubitschek and of João Goulart. It is in this short period that social, economical and political changes that were taking shape since the end of the Old Republic emerge and it can be discerned a real possibility of transformation through the two models of capitalism that come one after another in the government. The following questions are posed: What image of the nation these two magazines try to build? What profile of the Brazilian they portrait? What interests are at stake at that moment and to what point these magazines can appropriate the journalistic discourse to convey their version in the consolidation of a national identity? And who is the author of those photographs? With what instruments he/she works with? And which was his/her relationship with these means?