A arte de Émile Félix Taunay, Thomas Ender e o desenvolvimento sustentável

• Ano de defesa: 2013
• Autor(a) principal: Moraes, Maurecir Guimarães de
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Programa de Pós-graduação em Sistemas de Gestão; Segurança do Trabalho, Meio-ambiente, Gestão pela Qualidade Total
• Palavras-chave em Português: Sustentabilidade; Émile-Taunay; Meio ambiente; Ender; Sustainability; Environment; CNPQ::ENGENHARIAS::ENGENHARIA DE PRODUCAO
• Link de acesso: https://app.uff.br/riuff/handle/1/20368

The environmental problematic, as a concern that affects all sectors and compartments of human life, and the construction of the concept of sustainability is a phenomenon of the twentieth century, which is still under construction today, causing paradigm shifts in knowledge, and in the form economic production, imposing a holistic and interdisciplinary. However, one can see through the pictures "virgin forest to become charcoal" Emile Félix Taunay and "forest cut" of Thomas Ender, a concern still rudimentary in Brazil between 1776 and 1888, with environmental issues, for part of a Brazilian intellectual elite, and according Padua, is ignored by historiography, by international ecological thinking, and what is worse, by the Brazilian social memory, some thinkers such as Jose Bonifacio, José Gregório de Moraes Navarro and others, they performed important reflections on the preservation environment where is possible to note the concern with desertification forest with the and reduction of sources of drinking water, agricultural production destructive and deficient through aggressive practices such as burning the vegetation , revealing a concern concrete to ,to development conscious, favoring future generations. The Research, seeks to demonstrate that the idea of sustainability was present in some Brazilian scholars since the eighteenth century, across investigation bibliographic and across paintings already mentioned