Cartemas de Aloísio Magalhães : um ponto de encontro entre a arte e o design

• Ano de defesa: 2005
• Autor(a) principal: Alt, João Carlos de Morais
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Programa de Pós-graduação em Ciência da Arte; Teoria da Arte
• Palavras-chave em Português: Artes visuais; Cartões-postais; Cartema; Colagem; Magalhães, Aloísio; Brasil; Design; Visual arts; Collage; Postcards; CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::FUNDAMENTOS E CRITICA DAS ARTES::TEORIA DA ARTE
• Link de acesso: https://app.uff.br/riuff/handle/1/20869

In 1972, Brazilian artist and designer Aloísio Magalhães (1927-1982) exhibited, in Rio de Janeiro Museum of Modern Arts, the cartemas, then his newest production in visual arts. Praised by audiences at this and following exhibitions in Brazil and abroad, his creation wasn t received with the same enthusiasm by many artists and art critics at the time. If this alone shows an expectation conflict between art and public, further analysis will also show that elements other than artistic have made their contribution to make cartema introduction as well as its author name in official Brazilian art history harder. The present thesis, along with analysing the intricate net of events, influences and motivations amid the trajectory and artistic production of Aloísio Magalhães, aims to reclaim, spread and keep alive, in national art registers, this work that, withstanding any fading effect three decades could have inflicted, goes on powerfully, amazing the eye and cheering the sensibility.