Ecologias urbanas : Dona Dominga, algumas narrativas negras a partir da escultura

• Ano de defesa: 2024
• Autor(a) principal: Nunes, Fabíola Fraga
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal do Espírito Santo; BR; Mestrado em Artes; Centro de Artes; UFES; Programa de Pós-Graduação em Artes
• Palavras-chave em Português: Dona Dominga; Arte pública capixaba; Gênero; Monumento; História; Monument; Public art in Espírito Santo; Gender; History; Artes
• Link de acesso: http://repositorio.ufes.br/handle/10/17637

In addition to revealing the possible intentions of the Monument to Dona Domingas, located in the vicinity of the State Government Palace, the work that has been carried out so far, attempts to establish a clearer and more updated perception of the unmeasurable abyss that separates the tributes made through monuments public, to the illustrative children of a Nation, especially when we take into account their socioeconomic origin. In particular the representation of black women, as public works in the capital of Vitória in Espírito Santo. In this sense, Dominga, the sculpture, reflects, from the haughtiness of his statue, how far we still need to go in the direction, except for equality in relation to these historical records, but a reduction in this disparity. The place reserved for the poor, black, disadvantaged, in the country's statutory framework, despite their sociocultural importance, compared to their "peers" of Eurocentric origin, are enormous, and the analysis of the invisibility of the monument in question makes this clear. In a parallel way, the ongoing research, as has become evident, does not separate the woman from the work, the citizen of the marble, on the contrary, it tries to bring to light, the gigantic legacy of the woman so that, in some way, the Monument. It is possible to state peremptorily that all the initial intention imagined for the research was completely trampled and redirected, in such a way that it is possible to say about Dominga the work and Domingas the woman, that we are far from bringing to light the totality of phenomena so broad and complex. The importance of Artist Carlos Crepaz materializing the work with a wealth of details, placing Domingas in the Center of the capital of Espírito Santo, is also important. special importance in the work carried out. There is still a lot to be researched, both from a personal point of view, the woman, and an artistic one, the work. The Character's developments amplify with each step taken and present us with new challenges.