TECEDURAS DE UMA CLÍNICA GRUPAL DECOLONIAL COM MULHERIDADES
Ano de defesa: | 2022 |
---|---|
Autor(a) principal: | |
Orientador(a): | |
Banca de defesa: | |
Tipo de documento: | Dissertação |
Tipo de acesso: | Acesso aberto |
Idioma: | por |
Instituição de defesa: |
Universidade Federal do Espírito Santo
BR Mestrado em Psicologia Institucional Centro de Ciências Humanas e Naturais UFES Programa de Pós-Graduação em Psicologia Institucional |
Programa de Pós-Graduação: |
Não Informado pela instituição
|
Departamento: |
Não Informado pela instituição
|
País: |
Não Informado pela instituição
|
Palavras-chave em Português: | |
Link de acesso: | http://repositorio.ufes.br/handle/10/16638 |
Resumo: | What emerges when we invite womanhood to get in touch with their corporeities? In our training and research trajectory, we have heard a lot about experiences of violence that have resulted in the expropriation of the body-territory itself, with lines of worthlessness and disqualification. Thus, with an ethical-political urgency in the production of care for womanhood in their intersections, we intend to produce a group clinic that would be a space for listening, welcoming and care; at the same time that it tensioned colonialities and contributed to the (re)appropriation of their bodies-territories. For this, we weave a feminist epistemological network that formed the basis of our practices, lining up concepts of decolonial feminism, black feminism, transfeminism and the knowledge of indigenous women, having as references María Lugones, Grada Kilomba, Letícia Nascimento and Geni Núñez among others. To compose our methodological trails, we took cartography and genealogy woven together with situationality and the coloniality/modernity line, performing epistemic turns with the exercise of Situating Psychology and Situate, considering that a clinic with and between womenhood is done in a perspective ethics-aesthetics-politics-situated. Finally, we composed clinical/artistic tools for the group meetings based on the poetic matrices of Butô dance in a forge between psychology, art and activism. We experimented with the group device the (re)encounter of womenhood with their bodies-territories and the experimentation of a curative groupality. |