Sobre modos e moda : a escritura de Emilia Pardo Bazán e Ilza Etienne Dessaune

• Ano de defesa: 2015
• Autor(a) principal: Fleury, Karina de Rezende Tavares
• Tipo de documento: Tese
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal do Espírito Santo; BR; Doutorado em Letras; UFES; Programa de Pós-Graduação em Letras
• Palavras-chave em Português: Journalism and literature; Fashion and literature; Female scripture; Emilia Pardo Bazán; Ilza Etienne Dessaune; Periodismo y literatura; Moda y literatura; Escritura femenina; Pardo Bazán, Emilia, condesa de, 1852-1921 - Crítica e interpretação; Dessaune, Ilza Etienne - Crítica e interpretação; Literatura comparada; Periódicos; Moda; Escritoras; Feminismo e literatura; Letras; 82
• Link de acesso: http://repositorio.ufes.br/handle/10/3187

About manners and fashion: Emilia Pardo Bazán’s and Ilza Etienne Dessaune’s scriptures are a research work which brings a focused eye in a dialogue in texts written by these two writers, in the light of theory and criticism of the comparative literature. As an objective, it analyses the intertextual aspects regarding the reflections about fashion and the way of thinking and expressing women in society from the mid- nineteenth century to the early twentieth century, as a present subject both in the chronicles of Pardo Bazán as in the Dessaune , corpus of this research. Emilia Pardo Bazán (1851- 1921), a Spanish, Galician woman, born in La Goruña, has a successful literary production and, in this study, it is pointed out the publications in section like “La Vida Contemporánea”, from the magazine La Ilustración Artística. She is well-known for leading the fight for women’s rights to education and paid work in Spain. Ilza Etienne Dessaune (1900 - 1988), a Brazilian woman, born in the countryside of Espírito Santo known as Vila do Itapemirim, was a columnist of modes and fashion “Feminea” column, of Vida Capichaba Magazine, which had an huge repercussion in its State of Espírito Santo. The press was a great woman’s ally who became reader and also a contributor, editor and owner of newspapers and magazines, such as Pardo Bazán and her Nuevo Teatro Crítico. Fashion was the impulsive force that supported and authorized the printed female voice. The chapters of this work get in touch with the historical investigation collected in primary and secondary sources, as well as from exploratory investigation carried out in bibliographic survey and texts analysis that led to the understanding of our object of study. As theoretical and critical contributors there are authors like Dulcília Helena Buitoni, Ana Maria Díaz Marcos, Guilles Lipovetsky, Hans Robert Jauss, June Edith Hahner, Ana Maria Freire López, Eduardo Ruiz-Ocaña Dueñas, Maria Mirtis Caser e Michelle Perrot.