Sobre a poética da orquestração acústica de Glenn Gould: análise e aplicação prática

• Ano de defesa: 2023
• Autor(a) principal: Moreira, Fabricio do Rosário
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal do Espírito Santo; BR; Mestrado em Artes; Centro de Artes; UFES; Programa de Pós-Graduação em Artes
• Palavras-chave em Português: Glenn Gould; Orquestração acústica; Werktreue; Audiomusicista; Artes
• Link de acesso: http://repositorio.ufes.br/handle/10/12623

This work aims to correlate aspects of pianist Glenn Gould's musical experience through some categories of the Audiotactile Music Theory such as: neo-auratic coding, the audiotactile principle and the visual matrix. Each of these categories will support, respectively, the study of the following topics in Gould's artistic work: the editing of his recordings, the creation of acoustic orchestration, corporeality and the alteration of scores. In addition to theoretical investigation, this research also has a practical perspective, which includes the application of acoustic orchestration to the piece “Jeux d’eau” by Maurice Ravel, recorded by the author of this study.