A máquina literária em movimento de guerra: uma leitura de seis contos de Rubem Fonseca
Ano de defesa: | 2016 |
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Autor(a) principal: | |
Orientador(a): | |
Banca de defesa: | |
Tipo de documento: | Tese |
Tipo de acesso: | Acesso aberto |
Idioma: | por |
Instituição de defesa: |
Universidade Federal do Espírito Santo
BR Doutorado em Letras UFES Programa de Pós-Graduação em Letras |
Programa de Pós-Graduação: |
Não Informado pela instituição
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Departamento: |
Não Informado pela instituição
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País: |
Não Informado pela instituição
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Palavras-chave em Português: | |
Link de acesso: | http://repositorio.ufes.br/handle/10/9167 |
Resumo: | The reading of literary production by Rubem Fonseca identifies inside a recurring theme: the opposition to the State power. Evidenced this point, based on the narratives of the stories "Feliz ano novo", "O Cobrador", "Fevereiro ou Março", "A força humana", "A matéria do sonho", "O livro de panegíricos", and other writer's books , we discuss and we examine some of the affections and perfections of these literary works, in a possible dialogue with the concepts of the War Machine and Nomadism, by the philosophers Deleuze and Guattari. The social formation requires the establishment and maintenance of various systems, which are supported by various speeches and machinery. Among these systems, some of them are preponderant, but they do not prevail without others, even though lurking, they act in contradiction to the model that prevails. The State is one of those prominent compounds, actually it is a form of central power in society , supported by speeches, attitudes, ideologies, finally, a range of elements that together form up the State machine. Averse to it, there is the war machine a kind of counter-movement to the determination of the state power. This machine is a nomadic breeding and it has the nomadism as its foundation. In this sense, it will be analyzed the fonsequiana literary representation of a subjectivity that is defined by a counter movement to the determinations of discourse that arises as a central and prevailing in contemporary society. |