Enlouquecer o rasaboxes: produção de intensidades no trabalho do ator

• Ano de defesa: 2015
• Autor(a) principal: Sarmento, Júlia Peredo
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: www.teses.ufc.br
• Palavras-chave em Português: Atores – Treinamento; Corpo como suporte da arte; Desempenho (Arte); Rasaboxes; Training
• Link de acesso: http://www.repositorio.ufc.br/handle/riufc/14632

Rasaboxes is a playful dynamic of physical training for actors / performers practiced on a tray, on other words, on a square drawn on the floor, divided in nine boxes. This boxes are named with nine rasas, or flavors, in sanskrit. The player must try each rasa, putting it bodily in the space. The player must change immediately his body state whenever changes the box. The rasas are: bibhasta/disgust, sringara/love, bhayanaka/fear, hasya /laugh, adbhuta/surprise, vira/courage, karuna/sadness, raudra/anger and shanta/peace. Based on the derridian notion of getting the subjetil crazy, there was a practical investigation where the words that constitute the Rasaboxes's tray were deployed in synonymous and gradations, creating other eight trays that invite to exercise the production of affections on / for the body. This work pretends to discuss the results of this research through three decisive instances of the Rasaboxes - the space, the words and the body. Notions as the Neutral , the sensation and the vibrating body dialogue with this study to think intensively the actor labor nowadays.