Devir-fílmico e farinhada: uma constelação ancestralizada

• Ano de defesa: 2024
• Autor(a) principal: Almeida, Francisco Harley de Oliveira
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Palavras-chave em Português: Devir-fílmico; Farinhada; Ancestralizar; Ecopotências; Cosmopoéticas; Becoming-filmic; Ancestralizing; Ecopowers; Cosmopoetics; CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES
• Link de acesso: http://repositorio.ufc.br/handle/riufc/77004

This work is the result of an experimentation involving ancestrality and audiovisual through artisanal farinhadas in rural areas in the interior of Ceará, Brazil. Located in the communities of Carapebas - Itapipoca and Uruá - Barreiras, the research took place from 2020 to 2023, covering various territories in the Brazilian sertão. Crossed by sonic and imagistic traces through the oral tradition of women, farmers, manioc raspers, Elizabeth and Magnolia. In addition to the relationship of farinhadas in indigenous territories, such as in the case of a brief passage through the Tremembé indigenous land of Barra do Mundaú - Itapipoca, and recently had the collaboration of Lindalva, a manioc rasper, descendant of the Tremembé indigenous people of Almofala, who contributed with new videos and photographs of the farinhada in Vila Parati - Itarema. to compose with the research. The research as an experimentation is structured in blocks and layers, involving a dialogue with ancestral peoples, oral peoples, that enters and wallows in a world sertão that opens up to a sertão world, in compositions with images, music, noise, scribbles, letters and poems expressed in cosmic notebooks [k-cós]. The k-cós is a kind of bricolage that sews together the materialities, compositions with this ground that leads to an approach to ancestral knowledge and practices, and is available through the technology of access reader of Q.R codes between the chapters of this dissertation. An artistic constellation sown by the research weaving paths that mark cosmopoetics and ecopowers as a multiplicity that drags transverse lines, and that permeate a world-sertão in confluence with a sertão-world, marking the horizons of the becoming. In a refusal of the captures of capitalist subjectivities, ancestralizing as a verb produces life and power as a way to continue telling stories. In this research, which involves experimentation with farinhada and audiovisual, the methodology points to a process of creation with schizoanalytic cartography, in accordance with the perspective of the philosophy of difference of Gilles Deleuze and Félix Guattari (1995) and the concept of becoming-filmic (ALMEIDA, 2018), in which it consists of an audiovisual expression that transversalizes science, philosophy and art, marking the lived intensities, capturing the effects of human and inhuman forces. A becoming that generates a compound of sonic blocks, blocks of colors, rest in images that blur and blend, straining to escape from the human and its anthropomorphic traits. When the ancestral becoming gains an audiovisual body, it approaches the becoming-filmic. Thus, the research promotes an immersion in the ancestral eztetyka of the farinhada, collectivizing and ancestralizing stories with oral peoples, as a way to imagine possible worlds, contrasting with the Anthropocene, evidenced by the destructive footprints of the capitalist form of existing on the planet.