(Re)existências no alto Rio Negro: a arte cerâmica Baniwa e suas relações sociopolíticas

Detalhes bibliográficos
Ano de defesa: 2021
Autor(a) principal: Holanda, Paulo César Marques
Orientador(a): Não Informado pela instituição
Banca de defesa: Não Informado pela instituição
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Universidade do Estado do Amazonas
Brasil
UEA
Programa interdisciplinar em Ciências Humanas
Programa de Pós-Graduação: Não Informado pela instituição
Departamento: Não Informado pela instituição
País: Não Informado pela instituição
Palavras-chave em Português:
Link de acesso: https://ri.uea.edu.br/handle/riuea/1818
Resumo: The ceramic object serves as a marker of time and establishment of the Amazonian indigenous peoples. It is characterized as a completely manual craft and performed by women, transmitted in a value-related way, from generation to generation. This ceramic making is present in the Baniwa culture, in the Upper Rio Negro, being part of its traditions and artistic manifestations, occupying prestige a mong the indigenous. How ever, the cultural transformations that came with modernity, have diminished the ceramic production among this people, dueto various causes and motivations. This time, I established as objective of this work to verify the political and sociocultural developments present in the ceramic making, as well as to identify the history of these social agents and the existing barriers in this process. To conduct this research, Baniwa potters were interviewed, whose narratives offered the main subsidy for this work.