Iconografia e processos de criação : imagens da dança na obra pictórica de Edgar Degas

• Ano de defesa: 2014
• Autor(a) principal: Costa, Raíssa Caroline Brito
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade do Estado do Amazonas; Brasil; UEA; Programa de Pós-Graduação em Letras e Artes
• Palavras-chave em Português: Processo criativo; Dança; Iconografia; Edgar Degas; Línguistica, Letras e Artes
• Link de acesso: https://ri.uea.edu.br/handle/riuea/1893

The research and understanding of interdisciplinary aspects to compose the universe of creation, they become important for the development of choreographic trends. It was from the proposal to add new aesthetic settings for creative processes in dance that emerged this search. The dissertation is devoted to the iconographic study of pictorial works depicting the dance performed by Edgar Degas, French painter and sculptor who joined the Impressionist movement in the last quarter of the nineteenth- century. Through these iconographic analyzes of paintings was held experiments in dance as resulting end product of research a show titled Políptico XIX-XXI. The result shows a possibility of linking image, iconography and dance, showing that creative processes can be used for elements observed through the study and analysis of still images of a work. Keywords: Creative process; Dance; Iconography; Edgar Degas.