As estratégias de criação e convencimento da realidade: um estudo de caso do documentário Super Size Me

• Ano de defesa: 2019
• Autor(a) principal: Roncador, Natália Lázaro
• Orientador(a): Kieling, Alexandre S.
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Católica de Brasília
• Programa de Pós-Graduação: Programa Stricto Sensu em Comunicação
• Departamento: Escola de Educação, Tecnologia e Comunicação
• País: Brasil
• Palavras-chave em Português: Verdade; Realidade; Não ficção; Jornalismo; Documentário
• Palavras-chave em Inglês: Documentary; Journalism; Non fiction; Reality; Truth
• Área do conhecimento CNPq: CNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO
• Resumo em Inglês: The expectation of the public to find different sources of information, reliable and independent of economic and political influences has the consequence of increasing production and search for documentary narratives. In order to renew its sources of reference and reading of the world, the public begins to consume in the demand to acquire a real picture of reality. However, the documentarist, in the position of filmmaker, although he has attention with the facts, the freedom to choose a point of view allows him a look at the truth reported. It is the construction of narrated reality, of an ideological perception of the director figured in a cinematographic production. Thus, it is relevant to know what are the strategies predominant to the non-fiction film capable of convincing the public about the veracity of a reality cut. In this attempt, we chose to study a film of great repercussion by the specialized, the documentary Super Size me (Morgan Spurlock, USA, 2004).
• Link de acesso: https://bdtd.ucb.br:8443/jspui/handle/tede/2608

The expectation of the public to find different sources of information, reliable and independent of economic and political influences has the consequence of increasing production and search for documentary narratives. In order to renew its sources of reference and reading of the world, the public begins to consume in the demand to acquire a real picture of reality. However, the documentarist, in the position of filmmaker, although he has attention with the facts, the freedom to choose a point of view allows him a look at the truth reported. It is the construction of narrated reality, of an ideological perception of the director figured in a cinematographic production. Thus, it is relevant to know what are the strategies predominant to the non-fiction film capable of convincing the public about the veracity of a reality cut. In this attempt, we chose to study a film of great repercussion by the specialized, the documentary Super Size me (Morgan Spurlock, USA, 2004).