Homens que dan??am: um espet??culo para al??m dos palcos

• Ano de defesa: 2017
• Autor(a) principal: Maciel, Demerson Godinho
• Orientador(a): Sampaio, T??nia Mara Vieira
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Cat??lica de Bras??lia
• Programa de Pós-Graduação: Programa Strictu Sensu em Educa????o F??sica
• Departamento: Escola de Sa??de e Medicina
• País: Brasil
• Palavras-chave em Português: Dan??a; Preconceito; Discrimina????o; Educa????o f??sica; Representa????o social
• Área do conhecimento CNPq: CIENCIAS DA SAUDE::EDUCACAO FISICA
• Resumo em Inglês: The curtains are opened exposing a huge show, in which several work spheres come together to make the presentation happen, and in which different perceptions and dynamics are established in each one of its ambient - public, stage, ayles and green room -. Although the exact moment when men started dancing isn???t known, by investigating the dance world in its different moments and spaces, it is possible to realise that their presence in this bodily practice is as old as the emergency of the practice in human history. Several are the affirmatives concerning men who dance, which opens a complex and almost unlimited field of research and analysis regarding the experiences lived by them. The prejudice, recognized as a an autonomous scientific field studied by the social psychology, is constant in the daily routine of these individuals, thus, a holistic view upon this subject must be built, therefore, the comprehension of the prejudice origins is necessary because only from there it will be possible to identify the propagation patterns on a social level, the contributing psychocognitive factors, and elaborate coherent and consistent interventions. With the objective of comprehending the social representations referring to the male participation in the dance universe, as well as identifying the stereotypes, prejudices, labels and discrimination reported by them, in order to amplify and solidify a holistic and informed view about the experience in this diverse artistic language under the perspective of the men who dance, this study - through a Quali quantitative Approach, of Applied Nature, Explanatory and Descriptive Features, based on Social Representation Research - investigates ballet male dancers working in Brasilia/DF and, by using content analysis and the IRAMUTEQ software, proposes reflections about the social dynamics lived by these dancers. It was concluded, under the perspective of ballet male dancers about the social representations surrounding this theme, the existence of representative words freely associated to them: ???Gay/Sensitive??? are negative stereotypes frequently attributed to them; in the other hand, ???Artist/Delivery??? even when not fully understood, present positive significance; and ???Brave/Strong??? can be classified as neutral stereotypes, however, in the dancers speech, these words are used to refer to behaviours of confrontation against the discrimination experienced by them. It was also noted that the main motivation to dance, described by the interviewed ballet male dancers, was the feeling of freedom that comes from the opportunity of detaching themselves from a reality often full of prejudices that invalidates the free movimentation and expression and that promotes behavioural patterns to several groups, turning any deviation in a motive for disapproval and, consequently, discrimination.
• Link de acesso: https://bdtd.ucb.br:8443/jspui/handle/tede/2129

The curtains are opened exposing a huge show, in which several work spheres come together to make the presentation happen, and in which different perceptions and dynamics are established in each one of its ambient - public, stage, ayles and green room -. Although the exact moment when men started dancing isn???t known, by investigating the dance world in its different moments and spaces, it is possible to realise that their presence in this bodily practice is as old as the emergency of the practice in human history. Several are the affirmatives concerning men who dance, which opens a complex and almost unlimited field of research and analysis regarding the experiences lived by them. The prejudice, recognized as a an autonomous scientific field studied by the social psychology, is constant in the daily routine of these individuals, thus, a holistic view upon this subject must be built, therefore, the comprehension of the prejudice origins is necessary because only from there it will be possible to identify the propagation patterns on a social level, the contributing psychocognitive factors, and elaborate coherent and consistent interventions. With the objective of comprehending the social representations referring to the male participation in the dance universe, as well as identifying the stereotypes, prejudices, labels and discrimination reported by them, in order to amplify and solidify a holistic and informed view about the experience in this diverse artistic language under the perspective of the men who dance, this study - through a Quali quantitative Approach, of Applied Nature, Explanatory and Descriptive Features, based on Social Representation Research - investigates ballet male dancers working in Brasilia/DF and, by using content analysis and the IRAMUTEQ software, proposes reflections about the social dynamics lived by these dancers. It was concluded, under the perspective of ballet male dancers about the social representations surrounding this theme, the existence of representative words freely associated to them: ???Gay/Sensitive??? are negative stereotypes frequently attributed to them; in the other hand, ???Artist/Delivery??? even when not fully understood, present positive significance; and ???Brave/Strong??? can be classified as neutral stereotypes, however, in the dancers speech, these words are used to refer to behaviours of confrontation against the discrimination experienced by them. It was also noted that the main motivation to dance, described by the interviewed ballet male dancers, was the feeling of freedom that comes from the opportunity of detaching themselves from a reality often full of prejudices that invalidates the free movimentation and expression and that promotes behavioural patterns to several groups, turning any deviation in a motive for disapproval and, consequently, discrimination.