Detalhes bibliográficos
| Ano de defesa: |
2009 |
| Autor(a) principal: |
Cavalcanti, Ana Elizabeth Lisboa Nogueira
 |
| Orientador(a): |
Vasconcelos, Sergio Sezino Douets
|
| Banca de defesa: |
Francisco, Ana Lúcia
,
Campos, Zuleica Dantas Pereira
|
| Tipo de documento: |
Dissertação
|
| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Universidade Católica de Pernambuco
|
| Programa de Pós-Graduação: |
Mestrado em Ciências da Religião
|
| Departamento: |
Ciências da Religião
|
| País: |
BR
|
| Palavras-chave em Português: |
|
| Palavras-chave em Inglês: |
|
| Área do conhecimento CNPq: |
|
| Link de acesso: |
http://tede2.unicap.br:8080/handle/tede/277
|
Resumo: |
The aim of the present study was to discuss the issue of religiousness in contemporary art, addressing the topic from the standpoint of significant experiences and different positions based on data gathered from three visual artists from the state of Pernambuco (Brazil): Luciano Pinheiro, Montez Magno and Renato Valle. The choice of these names was due to their artistic value on a national and international level as well as their previous statements on the issue and the messages often expressed in their respective work, revealing a connection between religiousness and art. Religiousness is considered here as multifaceted and nomadic, whereas art is considered the expression of a personal need to reveal what is most profound in the human being. Data were gathered from semi-structured interviews. The artists recognize that religiousness is strongly present in some of their works of art. They believe that religion currently exhibits a plural, fragmented and syncretic from and has undergone changes due to globalization, which has led to an accentuated individualism and the emergence of hybrid religions adapted to individual taste. The present study allows merely an initial glance at the topic. Further studies are needed in order to elucidate all aspects involved in such a complex issue. |
