Mulheres de Hallyu: a representação feminina no cinema sul-coreano

• Ano de defesa: 2023
• Autor(a) principal: Monteiro, Ana Maria Antunes
• Orientador(a): Costa, Flavia Cesarino
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de São Carlos; Câmpus São Carlos
• Programa de Pós-Graduação: Programa de Pós-Graduação em Imagem e Som - PPGIS
• Palavras-chave em Português: Cinema sul-coreano; Cinema feminista; Hallyu; Análise fílmica
• Área do conhecimento CNPq: LINGUISTICA, LETRAS E ARTES::ARTES::CINEMA
• Link de acesso: https://repositorio.ufscar.br/handle/20.500.14289/20737

Based on the analysis of the feature films A Girl at My Door (2014) by Jung July, Missing (2016) by Lee Eon Hee and Kim Ji Young, Born 1982 (2019), this study focuses on observing the feminist discourse of South Korean female directors from three perspectives: sexuality, motherhood, and work. We established relationships between the theory of melodrama and han (恨); using feminist film theory, we analyzed the Confucian concepts of the three obediences (三從之道); the seven sins (七去之惡) and the wise mother, good wife (賢母良 妻) present in the selected works. We displayed in an introductory way the history of cinema in the Korean peninsula in parallel with the main political events of the 20th century; and the participation of women in the development of East Asian cinematographic language. For example, Park Nam Ok portrayed in The Widow (1955) the difficulties of a widow raising her daughter during the war. Like her, other female directors have also used cinema to show the gender inequalities faced in South Korea. In this thesis, we sought to answer the current challenges faced by female audiovisual directors.