Dialogismo e tradição nas histórias em quadrinhos contemporâneas

Detalhes bibliográficos
Ano de defesa: 2009
Autor(a) principal: Figueira, Diego Aparecido Alves Gomes
Orientador(a): Miotello, Valdemir lattes
Banca de defesa: Não Informado pela instituição
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Universidade Federal de São Carlos
Programa de Pós-Graduação: Programa de Pós-Graduação em Linguística - PPGL
Departamento: Não Informado pela instituição
País: BR
Palavras-chave em Português:
Palavras-chave em Inglês:
Área do conhecimento CNPq:
Link de acesso: https://repositorio.ufscar.br/handle/20.500.14289/5675
Resumo: This study aims to examine some aesthetic trends from super-heroes comic books relate to the activity of collect them. The narratives of these magazines have long and continuous stories, without an end in perspective, interconnected with others magazines of the same publisher. The collector-reader appears crucial to examine the comic book production, since its plots usually are based on evidence and information about the characters mostly recovered of other older stories. We also consider relevant the presence of a media segment specialized in comics, also responsible for a form of criticism of comics that results in the idea of a canon and an aesthetic tradition to the genre. That specialized media became the space where rises and circulates a discourse about comics and a fan knowledge that dialogue with the discourse of the narratives. Based on Mikhail Bakhtin´s linguistics studies, we try to comprehend how that dialogue results in some sophisticated works, where the discourse about comics appears as metalanguage. One of that works is the Darwyn Cooke and Dave Stevens s graphic novel DC: The New Frontier, our principal object of analysis in this study.