Detalhes bibliográficos
| Ano de defesa: |
2013 |
| Autor(a) principal: |
Spolidoro, Gustavo
 |
| Orientador(a): |
Gutfreind, Cristiane Freitas
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| Banca de defesa: |
Não Informado pela instituição |
| Tipo de documento: |
Dissertação
|
| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Pontifícia Universidade Católica do Rio Grande do Sul
|
| Programa de Pós-Graduação: |
Programa de Pós-Graduação em Comunicação Social
|
| Departamento: |
Faculdade de Comunicação Social
|
| País: |
BR
|
| Palavras-chave em Português: |
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| Área do conhecimento CNPq: |
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| Link de acesso: |
http://tede2.pucrs.br/tede2/handle/tede/4547
|
Resumo: |
This thesis and it companion film aim to understand one-man filmmaking, from the origins of cinema to the present day. The idea for this thesis and the feature film Errante um filme de encontros ( Wandering - a film about encounters ) first came to me in 2006, during a session of The Gleaners and I from Agnès Varda, presented by Jean-Claude Bernardet. The empiric experience of making a film with a crew of one person only is joined by a theoretical analysis based in works from authors as Guy Gauthier, Andrei Tarkovski, Arlindo Machado and Antonio Weinrichter, and films as the already mentioned The Gleaners and I , Nanook of the North , I, a Negro and Sans Soleil . In a time when everyone has a camera in their pocket, it becomes key to understand the artist s role in filmmaking and the expression of their subjectivity. The making of a one man film is within reach of all that have access to equipment, but mainly of those with the intention to make it in such a way. |
