Fumaça vermelho hematoma e o tapa que dei em mim mesmo

• Ano de defesa: 2018
• Autor(a) principal: Filho, Celso Alves
• Orientador(a): Barberena, Ricardo Araújo
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Pontifícia Universidade Católica do Rio Grande do Sul
• Programa de Pós-Graduação: Programa de Pós-Graduação em Letras
• Departamento: Escola de Humanidades
• País: Brasil
• Palavras-chave em Português: Romance; Distopia; Consumismo; Processo Criativo; Arte
• Área do conhecimento CNPq: LINGUISTICA, LETRAS E ARTES::LETRAS
• Link de acesso: http://tede2.pucrs.br/tede2/handle/tede/8274

As usual in dissertation's projects that belongs to PUCRS's creative writting area, this also has two volumes. The first is the novel Fumaça vermelho hematoma, narrated in a dystopic reality where the consume and the business lobby rules government and people at the point that art is considered crime and treated as police case, transforming artists from diferent areas into criminals - for consequence of that, they turns into terrorists. The second volume is a journal about the creation of the novel, with the title O tapa que dei em mim mesmo, and brings the way of how the story was inspired, planned and written, including the effects on the autor, motivated by the study's about neoliberalism business arrangements and it's effect in society. One paper is the consequence of the other and vice versa, because the goal of write about the theory of the narrative bring closer the critic thinking, not only about the ficcional side, but also political.