A tinta do (in)visível : olhares sobre a poética da transcriação nas edições de A asa e a serpente, de Vicente Cecim

• Ano de defesa: 2018
• Autor(a) principal: Pimentel, Danieli dos Santos
• Orientador(a): Passos, Marie-Hélène Ginette Pascale Paret
• Tipo de documento: Tese
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Pontifícia Universidade Católica do Rio Grande do Sul
• Programa de Pós-Graduação: Programa de Pós-Graduação em Letras
• Departamento: Escola de Humanidades
• País: Brasil
• Palavras-chave em Português: Andara; Visível; Invisível; Transcriação
• Área do conhecimento CNPq: LINGUISTICA, LETRAS E ARTES::LETRAS
• Link de acesso: http://tede2.pucrs.br/tede2/handle/tede/8315

This thesis studies the poetics of transcreation in the editions of A asa e a serpente [The Wing and the Serpent] (1979; 1980; 1988; and 2004), from Brazilian writer Vicente Cecim, with the objective of analyzing, from a comparison of the books, how the author’s literary work is carried by the glance of the (in)visible ink. First, it is created a route of the main aspects of the author’s trajectory, in addition to his relationship with contemporary Brazilian literature. In regard to critical reception of his work, diverse opinions are listed based on records present in the initial publication of A asa e a serpente (1979), passing through more specific analysis of Cecim’s creative universe. In conjunction, we discuss the literary composition of Andara’s cycle, which has as vertices, among others, reflections involving the Being and the perception of (in)visible worlds; the imagery of the labyrinth, as an imaginary space and a metalanguage of Vicente Cecim’s writing; the unfinishedness of literary writing itself and silence as a space opened to the creative imagination. In the chapter on theoretical foundation, an explanation is provided on what is the transcreation poetics through the logic of the writer himself, and how that concept suggests means for analyzing the different editions of A asa e a serpente. Lastly, it is outlined a comparison of the editions, resulting in the conclusion that Vicente Cecim delineates a transcreative writing approach centered between the visible and the invisible, culminating in oscillations which become perceptive trough changes in the writing plane and in the graphic project of the books.