Detalhes bibliográficos
| Ano de defesa: |
2018 |
| Autor(a) principal: |
Lamberti, Renata Sant’Anna |
| Orientador(a): |
Silva, Maria Cecília Pérez de Souza e |
| Banca de defesa: |
Não Informado pela instituição |
| Tipo de documento: |
Dissertação
|
| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Pontifícia Universidade Católica de São Paulo
|
| Programa de Pós-Graduação: |
Programa de Estudos Pós-Graduados em Linguística Aplicada e Estudos da Linguagem
|
| Departamento: |
Faculdade de Filosofia, Comunicação, Letras e Artes
|
| País: |
Brasil
|
| Palavras-chave em Português: |
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| Palavras-chave em Inglês: |
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| Área do conhecimento CNPq: |
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| Link de acesso: |
https://tede2.pucsp.br/handle/handle/21582
|
Resumo: |
Some scholars of the artificial environment, i.e. of the habitable urban space which after being affected by human activity corresponds to the concept of city, consider the graffiti one of the main sources of visual pollution in this type of environment. This perspective has been shared by scholars from various areas of knowledge and also by ordinary citizens. In rejection of such homogeneous perspective related to some urban interventions, mainly to the practice of graffiti tag, murals and other forms of street art in São Paulo, this dissertation aims to understand the way by which, through discourse, the taggers recognizes himself as subject, identifies himself, and translates his Other. Thus, it contributes to the practice of graffiti tag to be considered in a perspective different from others phenomena originated in urban environment. For that purpose, the object of analysis was the documentary PIXO (2009), produced by the brothers JoãoWainer and Roberto T. Oliveira. The theoretical framework used was in the enunciative and discursive perspective, as suggested by Dominique Maingueneau in his classical work Genesis of Discourses (2008a) in which the author proposes principles on the functioning of discourses. The first of them, the primacy of interdiscourse over discourse, implies a view of interdiscourse as anterior and constitutive of discourse. To this principle it is articulated that of global semantic according to which all dimensions of discursive textuality are integrated. These two principles support the author's proposal; all the others, including the intersemiotic practice, focused on non-verbal discursive production (from plastic arts, pictorial, musical etc.), are based on these foundations. Finally, as the theoretical-methodological framework on the reference corpus of this study are mobilized and some discourses that permeate graffiti tag practice are recognized, the final analysis points out something often discussed by the taggers themselves: the practice of graffiti tag has a direct relationship with the visibility claimed by a community that lies on the margins of a social organization regulated by representations built and supported in and by the city of São Paulo |
