Entre cabarés e gafieiras: um estudo das representações boemias em Belém (1950 a 1980)

Detalhes bibliográficos
Ano de defesa: 2014
Autor(a) principal: Dias Junior, José do Espírito Santo lattes
Orientador(a): Avelino, Yvone Dias
Banca de defesa: Não Informado pela instituição
Tipo de documento: Tese
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Pontifícia Universidade Católica de São Paulo
Programa de Pós-Graduação: Programa de Estudos Pós-Graduados em História
Departamento: História
País: BR
Palavras-chave em Português:
Palavras-chave em Inglês:
Área do conhecimento CNPq:
Link de acesso: https://tede2.pucsp.br/handle/handle/12844
Resumo: This paper deals with the representations bohemian in Belem between 1950-1980, from the understanding of the discourses produced by Para press , cinema , history and memory of their regulars : musicians , bohemians , artists , prostitutes and other social agents involved with these parties . Seek to understand the importance of these houses on the social scene and playfulness of Bethlehem during the chronological cut above, considering the geographical changes of the city and the symbolic and cultural representations created about these establishments. Thus , we intend to understand the history of men and women who made these spaces , its locus par excellence of entertainment and leisure , the sacred place of amusement weekend and early mornings , a universe marked by bohemian social relations of pleasure , joy and entertainment that , was the victim of repressive and vigilant eyes of the powers that be, always with the justification defense of "good manners".." A cultural environment wrapped in beverages, boleros, meringues, bohemians , whores and bums , who helped achieve the specter of danger and adventure, but at the same time , built romantic and nostalgic images of these places