Detalhes bibliográficos
| Ano de defesa: |
2021 |
| Autor(a) principal: |
Sá, Marco Antonio Fontes de
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| Orientador(a): |
Brito, Ênio José da Costa
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| Banca de defesa: |
Não Informado pela instituição |
| Tipo de documento: |
Tese
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| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Pontifícia Universidade Católica de São Paulo
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| Programa de Pós-Graduação: |
Programa de Estudos Pós-Graduados em Ciência da Religião
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| Departamento: |
Faculdade de Ciências Sociais
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| País: |
Brasil
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| Palavras-chave em Português: |
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| Palavras-chave em Inglês: |
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| Área do conhecimento CNPq: |
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| Link de acesso: |
https://repositorio.pucsp.br/jspui/handle/handle/24372
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Resumo: |
The activity of sculpting saints of wood and clay was part of the spread of Catholicism in colony and empire Brazil. Initiated by missionary orders and maintained by lay artisans, the images were part of the colonization and construction of a popular and clerical Catholicism, ratified at the Council of Trent (1545-1563). Today, artisans from various Brazilian states are still dedicated to this art, facing the challenges of lack of recognition, obtaining raw materials, religious plurality, secular society and competition with the industrial production of resin and plaster images. This research aims, through interviews done in person, to know the motivation of women and men who persevere in this work not always recognized and well paid, and to reveal, even partially, the universe of this Brazilian art, listening to those who, although they can speak and listening, they express themselves better with their hands |
