Detalhes bibliográficos
| Ano de defesa: |
2012 |
| Autor(a) principal: |
Freitas, Idalina Maria Almeida de
 |
| Orientador(a): |
Matos, Maria Izilda Santos de |
| Banca de defesa: |
Não Informado pela instituição |
| Tipo de documento: |
Tese
|
| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Pontifícia Universidade Católica de São Paulo
|
| Programa de Pós-Graduação: |
Programa de Estudos Pós-Graduados em História
|
| Departamento: |
História
|
| País: |
BR
|
| Palavras-chave em Português: |
|
| Palavras-chave em Inglês: |
|
| Área do conhecimento CNPq: |
|
| Link de acesso: |
https://tede2.pucsp.br/handle/handle/12764
|
Resumo: |
This thesis aims to reflect the construction of devices for the female body in the city of Fortaleza in the first half of the twentieth century (1910-1950). It analyzes the construction of subjectivities for the body amid the experiences of individuals banned by the medical-scientific discourse. The documental base of research is divided into two stages: at first, looks and perceptions of the body that pluralized in city of Fortaleza every day, focusing on issues of criminal cases of deflowering, seduction, sex crimes in which bodily practices were related against established standards, especially with regard to relationships. Then, discusses the production of images illustrated in the form of ads that circulated in Fortaleza, bringing depictions of female bodies which, by means of a medical-scientific discourse, sought to construct meaning for aspects of the body in relation to beauty, health, appearance, pain, suffering and happiness. In this sense, the goal of the research is to historicize the invention of wants and desires created and recreated by speeches, with the purpose of actually teaching, under the auspices of a modernity abrupt, discontinuous. It is observed also that attempts to represent the female body comprise a universe of interventions that draws attention to the need to design your interfaces in the body socio-politic-cultural |
