Detalhes bibliográficos
Ano de defesa: |
2006 |
Autor(a) principal: |
Gonçalves, Maria Patrocinia |
Orientador(a): |
Mercadante, Elisabeth Frohlich |
Banca de defesa: |
Não Informado pela instituição |
Tipo de documento: |
Dissertação
|
Tipo de acesso: |
Acesso aberto |
Idioma: |
por |
Instituição de defesa: |
Pontifícia Universidade Católica de São Paulo
|
Programa de Pós-Graduação: |
Programa de Estudos Pós-Graduados em Gerontologia
|
Departamento: |
Gerontologia
|
País: |
BR
|
Palavras-chave em Português: |
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Palavras-chave em Inglês: |
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Área do conhecimento CNPq: |
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Link de acesso: |
https://tede2.pucsp.br/handle/handle/12497
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Resumo: |
It is treated as an interdisciplinary work that makes possible not only the fertile dialogue among the areas of the aging and of the art, as well as it constitutes a strategy, so that they do not confine nor crystallize inside their respective domains. In others words, it is an attempt of approach of the art and of the old age for an enlargement and a consequent flexibility of the knowledge of both areas, making available new horizons, with focus in the artistic creation in the old age. Subjects as the creativity is a quality of the youth , an artist, when old, it only gets if he repeat himself , took me to observe the production of artists that in special Pablo Picasso and Heni Matisse approaching the end of their lifetime and the end of their work, they develop works anachronic, or anomalous, in relation to everything that they did before. Not so much with a tone of calm recapitulation of the life and of the work, but presenting surprising final deflections, creative and almost always misunderstood |