A espontaneidade na socionomia: repertórios e componentes do conceito

• Ano de defesa: 2009
• Autor(a) principal: Cortes, Rogério Augusto
• Orientador(a): Vicentin, Maria Cristina G.
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Pontifícia Universidade Católica de São Paulo
• Programa de Pós-Graduação: Programa de Estudos Pós-Graduados em Serviço Social
• Departamento: Psicologia
• País: BR
• Palavras-chave em Português: Teatro espontâneo; Socionomia; Moreno, Jacob Levy > 1889-1974; Comportamento humano; Espontaneidade (Traco da personalidade); Psicodrama
• Palavras-chave em Inglês: Spontaneity; Pontaneous theatre; Psychodrama; Socionomy
• Área do conhecimento CNPq: CNPQ::CIENCIAS HUMANAS::PSICOLOGIA
• Link de acesso: https://tede2.pucsp.br/handle/handle/17381

The Socinomy, or Psychodrama, as it is better known, is an approach that began to be created by Moreno (1889-1974) and has the aim of investigating the laws that govern the social and group behavior. In this approach, the concept and operator spontaneity is fundamental. At the same time, it is a complex concept with multiple definitions and ambiguities. In this sense, the present work aims at analyzing the repertoires and some the transformations this concept went through. Two research sources were used: The Brazilian Magazine of Psychodrama and individual interviews with three Psychodrama Directors. The repertoires (SPINK, 2004) about spontaneity were identified by a thematic analysis (MINAYO, 1992). At the end, the repertoires were analyzed in the light of the discussion proposed by Deleuze e Guatarri (1992), about this concept s multiplicity. The results revealed the power of Moreno s thoughts regarding spontaneity and some of its developments, especially with contributions coming from other areas, such as schizoanalysis, psychoanalysis etc.. Among the strongest and the most up-to-date of Moreno s definitions regarding spontaneity, we identify discussions around the following topics: Man-World relationship, including the ideas of internal and external; issues concerning the fit and originality; the importance of fantasy and reality, the different contexts in which the concept is built, the intersection among science, art, philosophy, etc In its main developments, we see the concepts of happening, virtutality, flux, multiplicity, chance, radical imaginary, etc..