Detalhes bibliográficos
| Ano de defesa: |
2019 |
| Autor(a) principal: |
Carvalhaes, Ana Goldenstein
 |
| Orientador(a): |
Pelbart, Peter Pál |
| Banca de defesa: |
Não Informado pela instituição |
| Tipo de documento: |
Tese
|
| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Pontifícia Universidade Católica de São Paulo
|
| Programa de Pós-Graduação: |
Programa de Estudos Pós-Graduados em Psicologia: Psicologia Clínica
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| Departamento: |
Faculdade de Ciências Humanas e da Saúde
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| País: |
Brasil
|
| Palavras-chave em Português: |
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| Palavras-chave em Inglês: |
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| Área do conhecimento CNPq: |
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| Link de acesso: |
https://tede2.pucsp.br/handle/handle/22015
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Resumo: |
This work proposes to reflect on a common and singular space of collective creation of Cia. Teatral Ueinzz’ processes. Collective creation refers to a mode of working without a director, practiced by the group in recent years. It is investigated practices in the expanded field of art and clinic, in various collaborations, on the attempts of construction and operation of a collective, based on heterogeneity and difference. It weaves. Disaster, exhaustion, mark this collective creation not as a beginning, but as a means. Demolitions of language, gaps, oblivion, discontinuities are characteristic of the group’s work in process (the process as work). The notions of error, failure, and fail, have their values transmuted from colloquial usage. A singular presence, which resists interpretation, gains status of event. The event is itself a space-time of transmutation, of passage. In its duration, a thought of the theater is produced. It is proposed that the singularity of this machine of various subjects together is a kind of creative connection between the participants, which actualizes such a presence. Vulnerability and fragilization, understood as forms of resistance, enable this type of connection. The connection is made up of shared affections, which enables the event be understood as coemergence and differentiation. Finally, the oswaldian anthropophagy is taken to think joy and lightness, characteristics of some of the multiple layers experienced in the Ueinzz Company, in its constant movement: the altering experience, mark of the vital desiring production. A singular and non-individualizing mode of subjectivity offers the notion of collective creation a new terrain. From this experience, it’s presented subsidies for the reflection of the various current collective machines |
