Detalhes bibliográficos
| Ano de defesa: |
2007 |
| Autor(a) principal: |
Machado, Paulo Eduardo Ferreira |
| Orientador(a): |
Freire, Maximina Maria |
| Banca de defesa: |
Não Informado pela instituição |
| Tipo de documento: |
Dissertação
|
| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Pontifícia Universidade Católica de São Paulo
|
| Programa de Pós-Graduação: |
Programa de Estudos Pós-Graduados em Linguística Aplicada e Estudos da Linguagem
|
| Departamento: |
Lingüística
|
| País: |
BR
|
| Palavras-chave em Português: |
|
| Área do conhecimento CNPq: |
|
| Link de acesso: |
https://tede2.pucsp.br/handle/handle/13922
|
Resumo: |
This study aims to interpret the process of creation, by the researcher himself, of a didactic video named Paradox. It also intends to interpret and reinterpret the material under a contemporary perspective, backed, on one side, by theoretical frameworks and by the search of understanding the dialogue of English Teachers with a didactic video, taken as a phenomenon of human lived experience. The investigation relies on the support of a panel of theories of learning (Giusta 2003; Williams and Burden, 1997), with a greater focus on the sociointeractionism (Vygotsky, 1938/2003) and on the concept of post-method (Kumaravadivelu, 2001). Language, in this study, is understood as a dialogic social practice (Bakhtin and his circle, 1979/1997, 1926/2000, 1929/2004) with contributions about audiovisual language (Babin and Kouloumdjian, 1989), and also about didactic video (Ferrès, 1996). In methodological terms, the option was the hermeneuticalphenomenological approach (Ricoeur, 2001; van Manen, 1990) which interprets phenomenons of lived experiences by the means of writings generated by those experiences. The interpretive quest, in this research, follows the path of a retrospective narration of the designer, inserting the video Paradox within the historic and professional contexts of its creation; it observes the video with a contemporary view from the vantage point of the bakhtinian theory; finally, it lies on dialogues with nine English teachers from diverse professional contexts, about their experiences with Paradox, in the sense of interpreting the phenomenon of the dialogue of English teachers with a didactic video. The retrospective narration and the interpretation of the video by the participants reveal an audio-verb-visual enunciation, interpreted in its intertextual relations as a result of an axiological posture of an author-creator. The achieved results from the dialogues with the participants show that the phenomenon under scrutiny is structured by the themes: reflection, application and questioning |
