Detalhes bibliográficos
| Ano de defesa: |
2018 |
| Autor(a) principal: |
Soggia, Janaina Santos Silva
 |
| Orientador(a): |
Navas, Diana |
| Banca de defesa: |
Não Informado pela instituição |
| Tipo de documento: |
Dissertação
|
| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Pontifícia Universidade Católica de São Paulo
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| Programa de Pós-Graduação: |
Programa de Estudos Pós-Graduados em Literatura e Crítica Literária
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| Departamento: |
Faculdade de Filosofia, Comunicação, Letras e Artes
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| País: |
Brasil
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| Palavras-chave em Português: |
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| Palavras-chave em Inglês: |
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| Área do conhecimento CNPq: |
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| Link de acesso: |
https://tede2.pucsp.br/handle/handle/21151
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Resumo: |
This dissertation aims to investigate the (self) reflexivity that is revealed in the Claricean posthumous work, Um sopro de vida (Pulsações), in two levels: in (auto) biographical terms and in structural terms, transforming it into a double mirror. In a first level, we consider our corpus of analysis, investigating the (auto) biographical and autofictional indexes of Clarice Lispector in the novel. Starting from the hypothesis that the author, in countless moments of its literary production, left traces that evidences aspects of her life in her characters, transforming them into a sort of her alter egos. Based on this premise, we aim to bring Clarice's life and work closer together through the author' s mirroring in her writing, establishing relationships between the textual elements of the posthumous novel in harmony with the life of Clarice Lispector. Our exploratory-descriptive and bibliographical research uses theories about autobiography, through the postulates of Philippe Lejeune and Alba Olmi; the considerations of Gerard Genette and Lucien Dallenbach of intratextuality, as well as of the autofictional studies from Serge Doubrovsky, Leonor Arfuch, Diana Klinger and Vincent Colonna. In a second level, we analyze the reflexivity of our corpus from the perspective of the mirroring of the work on itself, that is, the reflections on the literary doing itself, evidencing the text as an artifact in the construction process. We consider the premise that this mirroring would be printed in the text through metalinguistic, metafictional and authorial processes. In order to investigate how the word goes beyond the perspective of language and reaches the fictional plane, we use the studies of metalanguage developed by Samira Chalub, as well as the metafictional studies developed by Linda Hutcheon, Patricia Waugh and Gustavo Bernardo. For the different levels of authorship, we explain the notions of authorship, according to Roland Barthes and Michel Foucault |
