Detalhes bibliográficos
| Ano de defesa: |
2008 |
| Autor(a) principal: |
Oliveira, Ulisses Tadeu Vaz de
 |
| Orientador(a): |
Ikeda, Sumiko Nishitani |
| Banca de defesa: |
Não Informado pela instituição |
| Tipo de documento: |
Dissertação
|
| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Pontifícia Universidade Católica de São Paulo
|
| Programa de Pós-Graduação: |
Programa de Estudos Pós-Graduados em Linguística Aplicada e Estudos da Linguagem
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| Departamento: |
Lingüística
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| País: |
BR
|
| Palavras-chave em Português: |
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| Palavras-chave em Inglês: |
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| Área do conhecimento CNPq: |
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| Link de acesso: |
https://tede2.pucsp.br/handle/handle/13937
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Resumo: |
The galego-portuguese chants have been traditionally studying by brilliant philologists that been made huge advances in terms of understanding what was the galego-portuguese language and its production context. However, the galegoportuguese chants have a lot to offer to any researcher interested to investigate its particularities. In fact, the traditional methodologies and proceedings applied in the medieval texts analysis, specially in the galego-portuguese chants, could not examining appropriately the implications of the context in the text; as: ideology, courtesy, education, formation, ways of production, etc. Admitting this reflection and presenting a new purpose, this research develops a multifunctional critic analysis (Fairclough, 1992) of D.Dinis galego-portuguese chants (a great king and troubadour, c.f. Vasconcelos, 1943), trying to identify a collection of ideas arose from education, ethic, esthetic, courtesy and a knight ideal (Ceschin, 1998) inside these texts through the standings of: fegnedor (or aspirant), precador (or suppliant), entendedor (or suitor) and drut (or lover) (Spina, 1996:363). Since the analysis focus the lyrical chants, we re only going to talk about the standings of fegnedor, precador and entendedor; intending to understand: (a) how the linguistic analysis can contribute to reveal the ideological complexes that permeate the speech of fegnedor in love chants and precador in friend chants. (b) how fegnedor and precador can behave linguistically in this context? To achieve these objectives and make a multifunctional analysis (a method of textual linguistic analysis associate with a social theory of the language functioning in ideological processes), we mainly adopt the theoretical framework of Systemic-Functional Linguistics (Halliday, 1985, 1994) specially the ideational and interpersonal metafunctions, complemented by proposes of Critical Discourse Analysis, Register and Genre Theory (Eggins & Martin, 1997), Appraisal (Martin, 2000, 2003), and the concepts of Logogenesis (Halliday, 1994) and Resonance (Thompson, 1998). The Systemic-Functional Linguistics is distinguishable from other relate theories because it views language as a social semiotic, including the cultural and situational contexts implications. Therefore, by its perspective, we determine some obrigatory and optional stages in D.Dinis lyrical chants, as well examine the interface between social context and ideological issues on Middle Ages and the chants language (fegnedor and precador stances), we are able to map some social regulations and the ability of troubadours to compose these texts |
