Detalhes bibliográficos
| Ano de defesa: |
2018 |
| Autor(a) principal: |
Rezende, Marília Abrão
 |
| Orientador(a): |
Motta, Leda Tenorio da |
| Banca de defesa: |
Não Informado pela instituição |
| Tipo de documento: |
Dissertação
|
| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Pontifícia Universidade Católica de São Paulo
|
| Programa de Pós-Graduação: |
Programa de Estudos Pós-Graduados em Comunicação e Semiótica
|
| Departamento: |
Faculdade de Filosofia, Comunicação, Letras e Artes
|
| País: |
Brasil
|
| Palavras-chave em Português: |
|
| Palavras-chave em Inglês: |
|
| Área do conhecimento CNPq: |
|
| Link de acesso: |
https://tede2.pucsp.br/handle/handle/21339
|
Resumo: |
This research regards the mystery on cinema, noting and questioning its typological statute; pointing out its relationship with the following typologies: whodunit, noir, and suspense thriller; and observing the building up of mystery on screenwriting. More specifically, we pose the question: which elements, noticeable since the script, contribute to the understanding of these films as mystery films? Therefore, our corpus comprises three screenplays: Rear Window (1953), Chinatown (1973) and Memento (1999). The screenplay’s analysis is supported somewhat by the work of Jule Selbo –– researcher and screenwriter who studies genre as a tool for writing feature-films ––, and also looks for noticing (A) which situations in these scripts alludes to the mystery universe and the genres related to it; (B) which are the emotional effects provoked on the spectator by the use of genres (C) how could the genres that crosses a script be related to the film’s relevance on its time? The concept of genre adopted comes mostly from Rick Altman, who understands the generic kind in historical perspective instead of seeing it as a fixed category. Altman’s semantic-syntactic approach makes possible the observation of elements that contribute to the analysis of the screenplays mentioned above, summing up to Selbo’s approach. The bibliography also contains names as Raphaëlle Moine, Thomas Schatz, David Bordwell, Edward Buscombe, Steave Neale –– authors that explore the genres in various directions. Beyond them, we found help on a diverse range of authors and researchers, who enriched the discussion. We believe that the relevance of this research is related to the few numbers of works in Brazil regarding the mystery’s statute, as well as to the scarce academic studies related to the practice of screenwriting |
