Detalhes bibliográficos
| Ano de defesa: |
2012 |
| Autor(a) principal: |
Almeida, Alexandra Nakano de
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| Orientador(a): |
Mezan, Renato |
| Banca de defesa: |
Não Informado pela instituição |
| Tipo de documento: |
Tese
|
| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Pontifícia Universidade Católica de São Paulo
|
| Programa de Pós-Graduação: |
Programa de Estudos Pós-Graduados em Psicologia: Psicologia Clínica
|
| Departamento: |
Psicologia
|
| País: |
BR
|
| Palavras-chave em Português: |
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| Palavras-chave em Inglês: |
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| Área do conhecimento CNPq: |
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| Link de acesso: |
https://tede2.pucsp.br/handle/handle/15224
|
Resumo: |
This paper aims to investigate some of the first relationships that psychoanalysis had with arts. To do so, a dialogue with the thinking of Thomas Kuhn is established considering that the subject conceived by Sigmund Freud operated a disruption to the field of knowledge regarding psychic phenomena. Considering some of the concepts minted by the American science historian, the role of Freud references to arts in the context of psychoanalysis formation is reflected. Therefore references to artwork, as well as, analogies made between psychic and artistic processes - which can be found in Freud´s theoretical construction of the paradigmatic book The Interpretation of Dreams " (1900), are examined. Some drafts from Vienna´s Psychoanalytic Society sessions are also examined, thereby investigating the role that the references to arts played in the beginning of the process of psychoanalysis institutionalization, or in other words, the sociological dimension of its formation. Lastly, it is examined two of Freud´s early work, where art is somehow subjected to psychoanalytic investigation: "Delusions and Dreams in Jensen's Gradiva (1907) and "Leonardo da Vinci and a Memory of his Childhood "(1910). Considering them as attempts to puzzle solving activities in the sense proposed by Kuhn, it is analyzed the psychoanalytic assumptions and purposes that underlie these works. Thus, it is tried to support the idea which the first relationships established between psychoanalysis and the field of arts helped with setting up and developing psychoanalysis, which Freud aspired to be considered a natural science |
