Detalhes bibliográficos
| Ano de defesa: |
2011 |
| Autor(a) principal: |
Santos, Maria Jilvaneide dos
 |
| Orientador(a): |
Grenzer, Matthias |
| Banca de defesa: |
Não Informado pela instituição |
| Tipo de documento: |
Dissertação
|
| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Pontifícia Universidade Católica de São Paulo
|
| Programa de Pós-Graduação: |
Programa de Estudos Pós-Graduados em Teologia
|
| Departamento: |
Teologia
|
| País: |
BR
|
| Palavras-chave em Português: |
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| Palavras-chave em Inglês: |
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| Área do conhecimento CNPq: |
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| Link de acesso: |
https://tede2.pucsp.br/handle/handle/18293
|
Resumo: |
Freedom is part of the very essence of God. Thus, due to this attribute, He is interested in everybody s freedom. This study aims to show how the people who were previously oppressed, once freed, they want to celebrate freedom with singing and dancing, in recognition of the greatness of their God who was the only hero in the fight against of the oppressive power. This study also highlights the importance of the female figure in the update of the saving action of God as expressed in the celebrative dimension of these songs. Therefore, it is an exegetical analysis that used the synchronic method but did not neglect the diachronic contribution of renowned scholars of the Exodus. The research process emphasized the beauty of literature as a means of facilitating the understanding of historical and theological dimensions of the text. The commentary style was used, verse by verse |
