Detalhes bibliográficos
| Ano de defesa: |
2015 |
| Autor(a) principal: |
Solha, Celso dos Santos
 |
| Orientador(a): |
Fazenda, Ivani Catarina Arantes |
| Banca de defesa: |
Não Informado pela instituição |
| Tipo de documento: |
Tese
|
| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Pontifícia Universidade Católica de São Paulo
|
| Programa de Pós-Graduação: |
Programa de Estudos Pós-Graduados em Educação: Currículo
|
| Departamento: |
Educação
|
| País: |
BR
|
| Palavras-chave em Português: |
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| Palavras-chave em Inglês: |
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| Área do conhecimento CNPq: |
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| Link de acesso: |
https://tede2.pucsp.br/handle/handle/9849
|
Resumo: |
Presently, the education of a professional in the field of arts and theatre concerned with the theatre language that has been following a pedagogical pattern, reinforcing technical aspects and utility, providing our society with a professional who has a limited creative and ludic potential, who is not focused on obtaining different interdisciplinary skills partnership, coherence, dialogue, humbleness and unselfishness. With the aim of bringing to society a professional who is more human, creative, critical, and an agent of his time, this interdisciplinary research suggests a model and an approach of theatre practice structured in four principles that are generated from ten classes taught throughout its teaching practice, which is called formative didactical meetings by its author. The principles are set as necessary tools for the education of students and teachers, and can be used in the classroom, as an adequate model of working topics and developing interdisciplinary attitudes and actions. The author, making use of the metaphor Written letters, words scattered in creative life, space, school, educator and student , leads to a dialogue with the author, among them, Paulo Freire, Augusto Boal, Viola Spolin, and Ivani C. Fazenda, and with the research done by the professionals and students of the area that was gathered throughout his career. This material may, in a way, help the artistic directors, mainly the ones who deal with the theatre language, as well as transformation of the classroom into a space that stimulates creativity, human development a place for group interaction, more engaging, with a broader meaning and relevance |
