Educação na cultura digital, um desafio corporal

• Ano de defesa: 2018
• Autor(a) principal: Almeida, Lenita Ponce Mendes de
• Orientador(a): Silva, Maria da Graça Moreira da
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Pontifícia Universidade Católica de São Paulo
• Programa de Pós-Graduação: Programa de Estudos Pós-Graduados em Educação: Currículo
• Departamento: Faculdade de Educação
• País: Brasil
• Palavras-chave em Português: Linguagem corporal na arte; Artes do corpo; Arte na educação; Educação pelo movimento; Comunicações digitais
• Palavras-chave em Inglês: Body language in art; Arts of the body; Art in education; Movement education; Digital communications
• Área do conhecimento CNPq: CNPQ::CIENCIAS HUMANAS::EDUCACAO::CURRICULO
• Link de acesso: https://tede2.pucsp.br/handle/handle/21047

This research is part of the line of research New Technologies in Education of the Graduate Program in Education: Curriculum of the Pontifícia Universidade Católica de São Paulo. It aims to reflect on the creation of new ways in school for the integration of the body to the school curriculum in digital culture. This work focuses on the development and appropriation of the body as an important component of the education of the individual in the contemporaneity. Starting from Michel Foucault’s theory of the docile bodies and the bodymedia theory of Christine Greiner and Helena Katz, this thesis registers and narrates the search for an integration of the body with knowledge in Circus Arts classes at a private school in the city of São Paulo. The research transits and is based on the digital culture as context, as well as it articulates the use of technologies as a cultural characteristic of the student. The impact of body discoveries is recorded in the construction of social notions such as responsibility, autonomy, individual and collective limits. Simple and widely used body solutions in teaching the arts of the scene, such as turning upside down or perceiving the center of balance, the observation of one’s own corporal possibilities and the ones of the colleagues act as facilitators to work with themes such as violence, gender, socio-cultural awareness and creativity. The main results of the research were the discovery of possible ways to construct forms for the integration of the body with the school curriculum found during the observation of the Circus Arts classes, the identification of a fragmented look at the body in the national documents and the lack of awareness of the potency that such integration can have for a quality critical education