Metafísica dos sons: fenomenologia da música no pensamento de Ernest Ansermet

• Ano de defesa: 2008
• Autor(a) principal: Cormier, Hubert Jean-François
• Orientador(a): Souza, Edelcio Gonçalves de
• Tipo de documento: Tese
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Pontifícia Universidade Católica de São Paulo
• Programa de Pós-Graduação: Programa de Estudos Pós-Graduados em Filosofia
• Departamento: Filosofia
• País: BR
• Palavras-chave em Português: Tempo; Ética; Ethos; Ansermet, Ernest, 1883-1969 > Critica e interpretacao; Musica > Filosofia e estetica; Fenomenologia; Som
• Palavras-chave em Inglês: Phenomenology; Time; Ethics; Ethos; Music
• Área do conhecimento CNPq: CNPQ::CIENCIAS HUMANAS::FILOSOFIA
• Link de acesso: https://tede2.pucsp.br/handle/handle/11763

This thesis concerns about the possibility of the constitution of a music phenomenology. For such analysis we have chosen the most elaborated tentative of construction of such phenomenology, the one of the swiss mathematician, musician and philosopher Ernest Ansermet. We have elaborated a description of important points to the comprehension of Ansermet s thought, of his intellectual influences. After, we have tried to show a possible phenomenology of this conductor and the conditions of possibilities of production of a music phenomenology. We have show time s phenomenology and mathematic s phenomenology, as well as the relation of ethic and esthetic, enter this project, of a music phenomenology. In each topic, we always mention authors correlated to Ansermet, to underline alternative possibilities of realization of the same philosophic project. To sum up, we have evaluated the music s phenomenology project of Ernest Ansermet with all elements related during our research