Detalhes bibliográficos
| Ano de defesa: |
2018 |
| Autor(a) principal: |
Araujo, Marcelo Aparecido de
 |
| Orientador(a): |
Bittencourt, Circe Maria Fernandes |
| Banca de defesa: |
Não Informado pela instituição |
| Tipo de documento: |
Dissertação
|
| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Pontifícia Universidade Católica de São Paulo
|
| Programa de Pós-Graduação: |
Programa de Estudos Pós-Graduados em Educação: História, Política, Sociedade
|
| Departamento: |
Faculdade de Educação
|
| País: |
Brasil
|
| Palavras-chave em Português: |
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| Palavras-chave em Inglês: |
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| Área do conhecimento CNPq: |
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| Link de acesso: |
https://tede2.pucsp.br/handle/handle/21745
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Resumo: |
The objective of this study is to analyze the history exams for admission to public secondary education in São Paulo in the 1950s and 1960s, a period marked by struggles to expand access to free secondary education, while legal determinations imposed the obligation of admission examinations as a single means of entering junior high school. It analyzes which historical knowledge was selected so that part of the students had the right to enter the gymnasium sand how the evaluation system was constituted and its power to determine the primary level curriculum regarding contents and teaching methods. It uses as sources curricular and didactic manuals used as preparatory to the exams, published and commercialized by several publishers of the period for the 4th and 5th year of primary education, besides the own exams of History elaborated by several official institutions of the state for entrance to these condary education, especially the São Paulo State College, known as the State's first public high school. The procedures of analysis of the documentation have as the oretica references works by André Chervel, Gimeno Sacristán, David Hamilton and Ivor Goodson who discuss questions about curriculum and school subjects, by Circe Bittencourt about the teaching of the discipline of History and especially of text books, as well Alain Choppin |
