O jogo entre interpretação e performance em "Meu tio o Iauaretê, de Guimarães Rosa

Detalhes bibliográficos
Ano de defesa: 2007
Autor(a) principal: Tait, Thais Calvi lattes
Orientador(a): Oliveira, Maria Rosa Duarte de
Banca de defesa: Não Informado pela instituição
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Pontifícia Universidade Católica de São Paulo
Programa de Pós-Graduação: Programa de Estudos Pós-Graduados em Literatura e Crítica Literária
Departamento: Literatura
País: BR
Palavras-chave em Português:
Palavras-chave em Inglês:
Área do conhecimento CNPq:
Link de acesso: https://tede2.pucsp.br/handle/handle/14835
Resumo: This research s goal is to investigate the reading as an interpretation task and a performance act, based on the reading and the reader teories of Iser, and of the Zumthor s studies about the reader, the body and the voice. The reflection about the reader s narrative category will have by analysis corpus the short story Meu tio o Iauaretê , by Guimarães Rosa. A narrative that takes the word until the limit of the non-word, by way of grumbles, onomatopoeias and other sound groups, that are vocal presences although non-linguistics. Such disarticulation creates a jaguar-language , making the narrative a metamorphosis space, no matter if it is the narrator and the interlocutor, in the history plan, no matter if it is implicit the author and the reader on the speech s plan. Then, three roles possibilities are opened for the empiric reader on his interaction with the text: the interlocutor ones or reader s fiction , inscribed in his own history; the reader ones that is implicit in his action of fulfilling the empities of the text and the perfomer-reader ones in the act of multisensorial immersion being face to face with this vocalized literary text