Detalhes bibliográficos
Ano de defesa: |
2007 |
Autor(a) principal: |
Tait, Thais Calvi
![lattes](/bdtd/themes/bdtd/images/lattes.gif?_=1676566308) |
Orientador(a): |
Oliveira, Maria Rosa Duarte de |
Banca de defesa: |
Não Informado pela instituição |
Tipo de documento: |
Dissertação
|
Tipo de acesso: |
Acesso aberto |
Idioma: |
por |
Instituição de defesa: |
Pontifícia Universidade Católica de São Paulo
|
Programa de Pós-Graduação: |
Programa de Estudos Pós-Graduados em Literatura e Crítica Literária
|
Departamento: |
Literatura
|
País: |
BR
|
Palavras-chave em Português: |
|
Palavras-chave em Inglês: |
|
Área do conhecimento CNPq: |
|
Link de acesso: |
https://tede2.pucsp.br/handle/handle/14835
|
Resumo: |
This research s goal is to investigate the reading as an interpretation task and a performance act, based on the reading and the reader teories of Iser, and of the Zumthor s studies about the reader, the body and the voice. The reflection about the reader s narrative category will have by analysis corpus the short story Meu tio o Iauaretê , by Guimarães Rosa. A narrative that takes the word until the limit of the non-word, by way of grumbles, onomatopoeias and other sound groups, that are vocal presences although non-linguistics. Such disarticulation creates a jaguar-language , making the narrative a metamorphosis space, no matter if it is the narrator and the interlocutor, in the history plan, no matter if it is implicit the author and the reader on the speech s plan. Then, three roles possibilities are opened for the empiric reader on his interaction with the text: the interlocutor ones or reader s fiction , inscribed in his own history; the reader ones that is implicit in his action of fulfilling the empities of the text and the perfomer-reader ones in the act of multisensorial immersion being face to face with this vocalized literary text |