Indústria cultural em Theodor W. Adorno

• Ano de defesa: 2024
• Autor(a) principal: Matheus, Daniel Lopes Prado
• Orientador(a): Ferrari, Sônia Campaner Miguel
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Pontifícia Universidade Católica de São Paulo
• Programa de Pós-Graduação: Programa de Pós-Graduação em Filosofia
• Departamento: Faculdade de Filosofia, Comunicação, Letras e Artes
• País: Brasil
• Palavras-chave em Português: Theodor W. Adorno; Modernidade; Teoria crítica; Dialética do esclarecimento; Indústria cultural; Mistificação das massas; Sociedade de classes
• Palavras-chave em Inglês: Theodor W. Adorno; Modernity; Critical theory; Dialectic of enlightenment; Culture industry; Mass deception of society; Class society
• Área do conhecimento CNPq: CNPQ::CIENCIAS HUMANAS::FILOSOFIA
• Link de acesso: https://repositorio.pucsp.br/jspui/handle/handle/41254

This research aims to understand the concepts of modernity and culture industry in Theodor W. Adorno, mainly through the understanding of the author's key work Dialectic of Enlightenment, written in intellectual cooperation with Max Horkheimer. Topics that permeate Theodor W. Adorno's philosophy are researched, namely enlightenment, modern class society, the culture industry and the mass deception of society. The loss of subjectivity is one of the themes studied, as this is one of the striking characteristics of the culture industry. In the same way, the relationships between the culture industry and individuals are analyzed, which becomes that of subject-client or subject-employee. The almost impossible resistance to the culture industry on the part of the subject and to its entire inherent system is an essential part of what Adorno and Horkheimer define as the new ideology