Detalhes bibliográficos
| Ano de defesa: |
2010 |
| Autor(a) principal: |
Matos, Marcela Belchior Gomes de
 |
| Orientador(a): |
Pinheiro, Amálio |
| Banca de defesa: |
Não Informado pela instituição |
| Tipo de documento: |
Dissertação
|
| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Pontifícia Universidade Católica de São Paulo
|
| Programa de Pós-Graduação: |
Programa de Estudos Pós-Graduados em Comunicação e Semiótica
|
| Departamento: |
Comunicação
|
| País: |
BR
|
| Palavras-chave em Português: |
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| Palavras-chave em Inglês: |
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| Área do conhecimento CNPq: |
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| Link de acesso: |
https://tede2.pucsp.br/handle/handle/4225
|
Resumo: |
This work argues performances presented during the regular passage of public buses in the city of Fortaleza, in the Ceará. They are selling, beggars and artists who in exchange for cover the vehicles in search of the meeting of the o public-passenger money, using, for this, resources of the body, the voice, in the relation with the urban space. Our objective is the identification and the analysis of the languages and the communications processes and sociocultural processes in these presentations. For this, this work identifies the contexts secular and space where if of the o studied phenomenon; it analyzes the interventions of these performances in the characterization of the public spaces and in the dynamics of the urban movements; it points and it analyzes the languages of the communication, linkings and processes of that the performering acts are composites; it investigates the aspects and performances of the body and the voice in the performances. Searching to understand the intricate one of relations that if disclose in the sociocultural and comunicacionais processes in which our object is inserted, in supports them in four basic concepts of analysis: performance, treating it as the base language that becomes possible the construction of our object; orality, verifiable in the bedding of the majority of the comunicacionais interpellations that we study; body, since it is the media which we deal with and by means of which some of the main elements of expression of the performances are identified; e external urban movement, in an effort for understanding the particular aspects of the insertion of the performances studied in its place of performance. From such analysis, we defend that the presented performering action during the passage of public transports for the streets redesigns the symbolic city and relations in the urban space when making possible a particular form of meeting with the expectador public in its comunicacional interpellation. They support our research Cultural Theories of the Communication, Urban Anthropology, Mestization and Semiotics, with authors as Canclini, Martín-Barbero, Delgado, Gruzinski, Pinheiro, Lótman and Zumthor. Our research of field, with etnomethodology base, congregated collected corpus in leases enters the years of 2004 and 2010, consisting registers in audiovisual format of staged performances in in the transports of the city |
