Entre o Mosteiro de São Bento e a cidade: o canto gregoriano e o acústico contemporâneo da Cidade de São Paulo

• Ano de defesa: 2014
• Autor(a) principal: Oliveira, Vinicius Morais de
• Orientador(a): Sant'Anna, Denise Bernuzzi de
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Pontifícia Universidade Católica de São Paulo
• Programa de Pós-Graduação: Programa de Estudos Pós-Graduados em História
• Departamento: História
• País: BR
• Palavras-chave em Português: Canto gregoriano; Paisagem sonora; Mosteiro de São Bento; Cidade de São Paulo
• Palavras-chave em Inglês: Gregorian chant; Soundscape; Monastery of São Bento; São Paulo city
• Área do conhecimento CNPq: CNPQ::CIENCIAS HUMANAS::HISTORIA
• Link de acesso: https://tede2.pucsp.br/handle/handle/12853

The central theme of this dissertation is to historicize the present time, the domestic soundscape of the Monastery of São Bento, the medieval remnants contained in its architecture and in its musical production, beside all dichotomous, accelerated and noisy loudness of its surroundings‟ urban sounds. Both spaces have their sonorous territories‟ identities. In view of the prominence that the sound production‟s study of societies is creating new possibilities for the current historiography, the research issue also sought to provide subsidies to the historical investigation of the music writing reading rules through gregorian chant and the whole complex set of nomenclatures derived from musicological analysis. It also proposes a restructuring in the ocular mechanism hierarchy in equilibrium with the conscious listening of sounds, promoting new cognitive models of our sensitive capacities. Thus, the main documentary sources used were sound sources, a small photographic collection and oral reports from people who passed by in both spaces