Detalhes bibliográficos
| Ano de defesa: |
2007 |
| Autor(a) principal: |
Menezes, Breno Carneiro de
 |
| Orientador(a): |
Rolnik, Suely Belinha |
| Banca de defesa: |
Não Informado pela instituição |
| Tipo de documento: |
Dissertação
|
| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Pontifícia Universidade Católica de São Paulo
|
| Programa de Pós-Graduação: |
Programa de Estudos Pós-Graduados em Psicologia: Psicologia Clínica
|
| Departamento: |
Psicologia
|
| País: |
BR
|
| Palavras-chave em Português: |
|
| Palavras-chave em Inglês: |
|
| Área do conhecimento CNPq: |
|
| Link de acesso: |
https://tede2.pucsp.br/handle/handle/15614
|
Resumo: |
Poetic productions and their plane of interdicted meanings are constantly available for a sensitive quality of attention, which denies the exaggerations of a need of capturing and of discursive voraciousness. The possibility of denial from the excesses of the word, for the preservation of other quality/sense of tradition, emerges like a paradox that can be studied starting from certain processes of production. Therefore, the matter lies on knowing if the means of circulation of affections and their uses and the way how we apply ourselves to them and to the Other through them work for establishing bonds. This paper emerges from percussion among specific cases of poetic production, mainly associated to the observed picture, with the intention of keeping track of the processes development, which shows us a certain quality/sense of required presence and attention to others. A state of attention emerges, involving right away those who take part in the production. That state of attention does not exclude the time experience, which might be implicated differently with each production. In that effort the possibility to think up the required state of attention is born for the possibility of accomplishing certain works. Therefore, a study about a rhythmic attention is established, like a study of the movement of processes, experienced among the relation of alterity that faces some poetic productions. Its implications to us are what is always to be discovered |
