Detalhes bibliográficos
| Ano de defesa: |
2008 |
| Autor(a) principal: |
Pires, Gilsamara Moura Robert
 |
| Orientador(a): |
Katz, Helena |
| Banca de defesa: |
Não Informado pela instituição |
| Tipo de documento: |
Tese
|
| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Pontifícia Universidade Católica de São Paulo
|
| Programa de Pós-Graduação: |
Programa de Estudos Pós-Graduados em Comunicação e Semiótica
|
| Departamento: |
Comunicação
|
| País: |
BR
|
| Palavras-chave em Português: |
|
| Palavras-chave em Inglês: |
|
| Área do conhecimento CNPq: |
|
| Link de acesso: |
https://tede2.pucsp.br/handle/handle/5118
|
Resumo: |
When operated in the field of Culture, the processes of communication demand a political understanding of its actuation. Cultural actions promote forms of communication among the several types of population, which integrate a municipality, between a city and its outskirts, and show that these changes occurring to the city modify its outskirts, thus altering the relationship between both of them. The nature of these actions is exactly what depicts the profile of what they communicate, so the importance of each one of them. Because of this, it is indispensable to learn how to identify the existing link of each cultural action and the society in which it operates. By understanding the cultural policies to the dance carried out in the city Araraquara, SP, during 2001-2008, as a process of communication, the thesis states the hypothesis that the set of cultural actions carried out made the city different from the other Brazilian cities of similar size and geographical situation and connected, linked it with another sort of circuit. The dance is used as an outline that explains and clarifies the hypothesis. The two projects here researched, objects of study of the current thesis - the Municipal School of Dance Iracema Nogueira, founded in 2002, and the Araraquara Dance Festival, created in 2001 were born from a distinct point of view of what had been traditionally done in the city. Its introduction aroused resistance and demanded strategies of communication capable of bringing about its adaptation to the Araraquarense society. In order to research the strategies that performed such transformation, it was used the bibliography on communication theories with a political view (BARBERO, MATTELART, SODRÉ) examined under the light of NEGRI & HARDT, BAUMAN and VIRNO. By using these authors, it was possible to develop the argument that the consolidation of projects, like both above described, by involving the city in singular and unusual forms, ended up by getting some strength that will possibly ensure its continuity facing and confronting the Brazilian tradition of interruption and discontinuity of cultural projects, even the successful ones, very election, when the political parties change places and come to power. To know the historical record of the forms of communication of dance in Araraquara in this period allows us to evaluate with more acuity and sharpness the transformation performed by both projects, which were born and introduced facing and transforming the centers of resistance that could be foreseen, since they dismissed the concept of dance which, up to the time, was used in the city. When substituting the championships and contests among the several private dance schools that took place under the name of Dance Festival , by collaborative forms among dance professionals, the Araraquara Dance Festival has interrupted the communication between Araraquara and the other cities where this type of competitive contests happened and has enrolled it in another circuit, the one of the professional, non-competitive festivals. Evidently, this act has harmed the local interests which united the private dance schools and some years were necessary so that the environment could be reconciled and harmonized again. The opening of the Municipal Dance School Iracema Nogueira, with a very diverse core curriculum, thus different from those applied in the other schools, opened another crack in the hegemony formerly practiced, making the dance environment in Araraquara much more plural and complex. The main purpose is to contribute to the advancing of discussions concerning the binomial communication-culture in a political perspective, using the cultural policies to the dance as the focus of this deliberation |
