Detalhes bibliográficos
| Ano de defesa: |
2015 |
| Autor(a) principal: |
Leite, Flávia Lucchesi de Carvalho
 |
| Orientador(a): |
Passetti, Edson |
| Banca de defesa: |
Não Informado pela instituição |
| Tipo de documento: |
Dissertação
|
| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Pontifícia Universidade Católica de São Paulo
|
| Programa de Pós-Graduação: |
Programa de Estudos Pós-Graduados em Ciências Sociais
|
| Departamento: |
Ciências Sociais
|
| País: |
BR
|
| Palavras-chave em Português: |
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| Palavras-chave em Inglês: |
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| Área do conhecimento CNPq: |
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| Link de acesso: |
https://tede2.pucsp.br/handle/handle/3669
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Resumo: |
The riot grrrl, a feminist strand of the punk movement, appeared in the early 1990 s in the United States. They were tired with the male chauvinist conduct and minor fascisms imposed on their lives also inside the punk movement. These girls created a new way of life that strengthened their struggle against such conduct. Whether the rocker women who preceded the riot grrrl faced obscure paths to produce their rock and roll, the riots emerged a new way of writing, playing, and singing: they liberated their howl. They drew from the rock maxim sex, drugs and rock and roll and were thus considered by many: sluties. The riot grrrl adopted this word and experienced their sex liberated from the control of sexuality and macho violence. Faced with increased girls interest in the riot grrrl, the music market tried to invest in them but failed since the girls had an clear anti-capitalist attitude, which was radicalized by the Russian riots Pussy Riot around 20 years later. In this sense, the musical market launched products and entertainers that could capture the latent unrest of the young girls attracted by the riots, targeting them as potential consumers. Instead, the market launched rock pop women singers moderately foul-mouthed, or they launched popstars who used a certain feminist discourse that today is largely known as veracity of market. Far from the riot howl against male chauvinism, the women popstars assumed the family and the feminine discourse. In hand against the market and surpassing the riot scene appeared an anonymous girls association, the Pussy Riot, creating their performances by direct action based on feminist punk rock in the streets and private properties of Moscow. This thesis has intent to show the metamorphosis of riot grrrl war machine in the society of control |
