São Paulo aprende a rir: A imprensa humorística entre 1839-1876

• Ano de defesa: 2006
• Autor(a) principal: Gallotta, Brás Ciro
• Orientador(a): Cruz, Heloisa de Faria
• Tipo de documento: Tese
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Pontifícia Universidade Católica de São Paulo
• Programa de Pós-Graduação: Programa de Estudos Pós-Graduados em História
• Departamento: História
• País: BR
• Palavras-chave em Português: História de São Paulo; Império; História da imprensa; Imprensa humorística; História da caricatura; Linguagem humorística; Cultura urbana; Imprensa > Historia > Sao Paulo (cidade); Humorismo > Sao Paulo (cidade) > Historia e critica; Caricaturas e desenhos humoristicos > Sao Paulo (cidade) > Historia; Sao Paulo (cidade) > Historia > 1839-1876
• Palavras-chave em Inglês: São Paulo History; Empire; Press History; Humour Press; Caricature History; Humour language; Urban Culture
• Área do conhecimento CNPq: CNPQ::CIENCIAS HUMANAS::HISTORIA
• Link de acesso: https://tede2.pucsp.br/handle/handle/12966

This thesis analyzes the relation among the press, humor and social life in São Paulo between the years 1839 and 1876. The central basis for this study is the first steps in gathering a humoristic local press, identified as the first humoristic periodic, which is aimed to draw attention dramatically to lack of style and humoristic narratives in the ongoing general process of settlement and affirmation of the called periodismo paulista , i.e paulista periodism. As a result from this ongoing process and social life, it aims also to creep up from behing the reader and reflect upon the concrete conversation between the theme area immersion in the periodic and the urban life changes at that certain point in life. Analyzing the publications and the narrative and language strategy development used by writers, journalists and cartoonists such as Angelo Agostini, Eduardo Langlois and Nicolau Hauscar de Vergara, it is clearly that by doing so the experimentation in different humor styles began from heart of the political Sunday journalism, After the releasing of Diabo Coxo and as well Cabrião, the newspaper Sunday pages show a more intense social perception of the urban life, emploring the transition and changing moment from a small ville into the café metropolis notwithstanding the impact of new technology shown mainly by the opening of the Estrada de Ferro São Paulo, i.e, São Paulo Railway. Nevertheless, the Coaracy and the Polichinelo publications are presented as a more agile narrative, following the trend of rhythms and movements which the city has been goin through. The first urban improvemnet masterpieces are ironised. Moreover, a more relaxing atmosphere regarding new modern technology is also noticed. The political confrontations and debates at present