Detalhes bibliográficos
| Ano de defesa: |
2016 |
| Autor(a) principal: |
Salazar, Jussara Farias de Mattos
 |
| Orientador(a): |
Ferreira, Jerusa Pires |
| Banca de defesa: |
Não Informado pela instituição |
| Tipo de documento: |
Tese
|
| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Pontifícia Universidade Católica de São Paulo
|
| Programa de Pós-Graduação: |
Programa de Estudos Pós-Graduados em Comunicação e Semiótica
|
| Departamento: |
Faculdade de Filosofia, Comunicação, Letras e Artes
|
| País: |
Brasil
|
| Palavras-chave em Português: |
|
| Palavras-chave em Inglês: |
|
| Área do conhecimento CNPq: |
|
| Link de acesso: |
https://tede2.pucsp.br/handle/handle/19290
|
Resumo: |
The art image regimen was built not only around images but prior to everything, around an eccentric knowledge, between deviations and flaws. This doctorate thesis aims to investigate the archeological marks of certain signs materialized in magic books. The main idea is that the artists from historical vanguards were inspired by the geometric and magical dimension of theses signs. By focusing on this archeology that coincides or not with the network of popular books, they combined different traditions, such as the ancestry and the vanguard ones. We verified how such signs system composed by squares, circles, crosses, triangles etc converses with these contexts, through critical, anthropological and historical arguments. According to the concept of borders, formulated by Jerusa Pires Ferreira, the frontiers that occur on this transit allow for a meaning exchange that reorganizes these systems and guides knowledge surrounding such geometric forms. The artist from Paraíba, Brasil, Raul Córdula, with graphisms and geometry or, in another sphere, the artist Kasimir Malevich, with suprematism of forms and primary colors, converse with transcendence through this signs system. Therefore, the presence of such magical forms in the ancestor thought in art is the meaning we advocate on this present thesis. In the end, the dimensions of the human and its gestures appears whether it is by a magical sign or a vanguard work of art. When recreated by these modulations, they don’t stop creating new possibilities |
