Detalhes bibliográficos
| Ano de defesa: |
2015 |
| Autor(a) principal: |
Costa, Leila Ortiz Tavares
 |
| Orientador(a): |
Katz, Helena |
| Banca de defesa: |
Não Informado pela instituição |
| Tipo de documento: |
Tese
|
| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Pontifícia Universidade Católica de São Paulo
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| Programa de Pós-Graduação: |
Programa de Estudos Pós-Graduados em Comunicação e Semiótica
|
| Departamento: |
Comunicação
|
| País: |
BR
|
| Palavras-chave em Português: |
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| Palavras-chave em Inglês: |
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| Área do conhecimento CNPq: |
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| Link de acesso: |
https://tede2.pucsp.br/handle/handle/4755
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Resumo: |
The research stars by collection of media material consisting of folder, flyer, articles were produced to make like a plane of the communication for the spectacle of classical dance Marília de Dirceu that premièred on APRIL 22-2014 at Municipal Theatre of Marília City, São Paulo State. The event came true by students of classical dance of Community at Jardim Conquista and Leila-Centro de DançasClássicas pointed to an experience in accord the understand community by Roberto Espósito (2010). The hypothesis is that to obey the rule of market model of artistic production defines by Rouanet Law (cultural incentive PRONAC/MECENATO by Cultural Department MINC low 8.313/91 topic 18), that collection of media has a part of process of transformation engendered something like a management associate the oikonomia . When it dislocated the beginning experience of the community to social living together to regulation of neoliberal organization socialpolity unleashed policy immunization . The Marília of Dirceu collection of media is the corpus of research, the methodology is supported by bibliography revision and theoretical foundation is supported byBodymedia Theory (KATZ & GREINER, 2005), the studies of THOMPSON (2009) about social media and others authors that designed Biopolitics field like ESPÓSITO (2010), AGAMBEN (2007, 2009), FOUCAULT (1997, 2007, 2009), and too JEAN LUC-NANCY (1991/2006), SIMONDON (2005), PRIGOGYNE (1996), HOBBES (2009) and NICOLAI MAQUIAVEL (2008). The goal is to point the relation the collection of media with the neoliberal market looking for new practice of communication that can give the potential the community experience and like critical reflection about our society |
