Detalhes bibliográficos
| Ano de defesa: |
2018 |
| Autor(a) principal: |
Nunes, Mirian Aparecida Meliani
 |
| Orientador(a): |
Leão, Lucia |
| Banca de defesa: |
Não Informado pela instituição |
| Tipo de documento: |
Tese
|
| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Pontifícia Universidade Católica de São Paulo
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| Programa de Pós-Graduação: |
Programa de Estudos Pós-Graduados em Comunicação e Semiótica
|
| Departamento: |
Faculdade de Filosofia, Comunicação, Letras e Artes
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| País: |
Brasil
|
| Palavras-chave em Português: |
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| Palavras-chave em Inglês: |
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| Área do conhecimento CNPq: |
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| Link de acesso: |
https://tede2.pucsp.br/handle/handle/21865
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Resumo: |
The present study investigated the transformations in the news´s construction and distribution through the use of digital social networks. It was possible to identify the tension between this type of production and the methods traditionally adopted by other communication platforms, originally aimed to receive, organize and standardize the information. It was assumed that the popularization of the digital social networks has led the news, opinions and images to the overflowing of the formal support. When these production types are multiplied in transverse directions, they frequently refer to data exchange modes rooted in the pre-industrial period. This situation invites different actors to the scene. Journalists, non-journalists and the possibility of the nonhuman (the generation of journalistic texts through algorithms and systems of Artificial Intelligence is already a reality) coexist and generate turbulence, creating new meanings for these processes. In case of news in the social digital networks, how do these different elements act in the propagation? Do these productions substantially change the definition itself of news? The research empirical corpus was consisted of a selection of projects developed at the edge of the industrial normative model. We investigate the ways of creating and disseminating information narratives, as well as the effects that these productions are capable of generating in the discourse disseminated in social networks. We have also identified what is the unsaid discourse in each case by examining the various meanings that define what is “news” and what is “non-news”. During research process, we are faced with unexpected dynamics and controversies. It has brought to the research field questions about what has been defined as a scenario of "information disorder", with systematic production and distribution of fake news based on the manipulation of metadata. As theoretical basis, we have utilized Galloway’s view of digital protocols as control architecture; Latour and the definition of Actor-Network Theory (ANT); using the definitions of post-industrial journalism of CW Anderson, Clay Shirky and Emilly Bell as reference; Certeau's vision of "art" or "way of making"; and the reflection about the meanings of the passage of time in Serres. The methodology presupposes a look across the dynamic connection between object, theoretical aspects and communicational ecosystem, within the approach of complexity presented by Morin. Finally, we used the process mapping method developed by Lucia Leão, when observing, mapping and analyzing the phenomenon, based on case studies of a qualitative nature |
